Alas, Babylon by Pat Frank
3 words: character-driven, unfolding, storytelling
Wow. I never knew I’d like this book as much as I did.
I know post-apocalyptic novels have been all the rage for a decade or more, but I kind of struggle with them. I mean, real life is hard enough, you guys! So tossing in a “this is the end of the world as we know it” scenario seems so freakin’ grim.
But I know: good drama makes a good story.
And in this book, first published in 1959, there’s some amazingly strong storytelling. It’s that good old Midcentury style, with a big story and well-drawn characters and an earnest social message.
I liked it so much.
Here’s what surprised me most: The characters really come first in this novel, even though obviously the plot’s drama is going to try to suck all the air out of the room. But the characters and their responses to a nuclear attack are believable and relatable. And while a person could dissect the story and describe each character as representing a different response to the nuclear winter, I didn’t feel like the characters were merely there to represent types. They felt too real.
So, the plot is basically this: the US and the USSR fire nuclear missiles at each other and lots of cities are destroyed, and outside the cities, people try to figure out how to survive. It’s actually pretty terrifying. If I’d read this book in middle school, back when we actually feared this crap would happen, I think I would’ve wanted to hide under the bed.
Though, ultimately this book offers some hope. There’s plenty-o-trauma, but in the end, some people actually survived.
Give this book a whirl if you like… post-apocalyptic stories, contemporary classics, Mid-Century novels, solid storytelling
So… anybody wanna talk me into tackling another post-apocalyptic book because: characters?